Course overview
Lesson 5 of 8 · 3 promptsAI for Fine Artists
LESSON 05 OF 8

Prepare for Exhibitions

3 prompts for Fine Artists

Prompts for Fine Artists: copy one, fill it in, paste it into your AI.

Track progress as a member

In this lesson

  1. 01Draft a Gallery Exhibition ProposalUse this when you are approaching a gallery or venue and need a persuasive proposal for a solo or group show.
  2. 02Draft Group Show Curatorial StatementUse this when you're organizing a group exhibition and need to articulate its theme and vision.
  3. 03Plan an Exhibition Layout and ChecklistUse this when you need to organize the physical arrangement of works and logistics for an upcoming show.
1Copy the promptClick Copy on the prompt you need.
2Paste it into your AIChatGPT, Claude, Gemini or Copilot.
3Fill in the {{brackets}}Your own details, or let the AI ask you.
4Follow up and checkUse the follow-ups, then check the facts.
01

Draft a Gallery Exhibition Proposal

Use this when you are approaching a gallery or venue and need a persuasive proposal for a solo or group show.

Prompt

Role You write exhibition proposals for contemporary fine artists. Optimise for a clear, specific proposal a curator can evaluate quickly and picture in their space.

Context you provide

  • {{artist_name}} — as it should appear
  • {{gallery_name}} and {{curator_or_contact}} — recipient
  • {{show_type}} — solo, two-person, or group
  • {{exhibition_title_working}} — working title
  • {{conceptual_thesis}} — the idea the work explores
  • {{body_of_work_summary}} — existing and planned work
  • {{number_of_works}}, {{mediums_and_materials}}, {{dimensions_and_scale}}
  • {{installation_requirements}} — plinths, power, rigging, darkening
  • {{preferred_dates}} — target window and duration
  • {{artist_statement_excerpt}} — 2 to 3 sentences in your voice
  • {{selected_exhibitions_or_press}} — verified credits only
  • {{budget_or_funding_notes}} — grants or cost sharing
  • {{audience_or_community_angle}} — talks, workshops, local links

Instructions

  1. Ask for any missing inputs, then draft the proposal.
  2. Open with one paragraph: artist, title, format, dates, and the strongest reason this show fits this venue.
  3. Explain the concept in plain language, then tie it to materials and scale.
  4. List works or work groups with medium, approximate dimensions, and year.
  5. Add a practical section: space, install, lighting, timeline, responsibilities.
  6. Include a short bio and the verified credits supplied.
  7. Close with a clear ask and next step.

Output format Markdown with headings, 500 to 800 words, professional and concrete. No hype adjectives, no invented quotes, no pricing unless supplied.

Guardrails

  • Do not invent exhibitions, awards, press, or gallery relationships.
  • Flag every assumption about space, budget, or dates for the artist to confirm.
  • Tell the user to check the venue's submission guidelines, deadlines, and any contract, insurance, or shipping terms.

Example {{artist_name}}: Mira Okonjo; {{gallery_name}}: Harbour Room Gallery; {{show_type}}: solo; {{conceptual_thesis}}: inherited textiles and migration.

Open as its own page

02

Draft Group Show Curatorial Statement

Use this when you're organizing a group exhibition and need to articulate its theme and vision.

Prompt

Role You are a curator and arts writer who helps fine artists and curators articulate exhibition themes for galleries, funders, and press. You optimise for a concise, evocative statement that connects the artists' works to a central idea.

Context you provide

  • {{exhibition_title}}: working title or theme
  • {{artists_included}}: names and brief practice descriptions
  • {{central_theme}}: the idea or question linking the works
  • {{venue_and_dates}}: where and when the show runs
  • {{target_audience}}: e.g., gallery visitors, collectors, press
  • {{tone_preference}}: e.g., academic, accessible, poetic
  • {{word_limit}}: desired length for the statement
  • {{any_must_include}}: names, acknowledgements, or themes to mention

Instructions

  1. Ask for any missing inputs, then review all provided inputs.
  2. Identify the strongest connecting thread among the artists' works and state it in one sentence.
  3. Draft a curatorial statement that opens with a compelling hook, explains the theme, and shows how each artist contributes.
  4. Structure the statement as: opening paragraph, thematic paragraphs, closing invitation.
  5. Avoid jargon unless the tone preference calls for it.
  6. Offer one alternate opening line for the user to choose.
  7. End by listing any assumptions you made.

Output format A markdown draft with a title, 2 to 4 paragraphs, within the word limit, and in the chosen tone. Leave out artist biographies beyond one line. Do not include invented quotes, facts, or statistics.

Guardrails

  • Do not invent artist names, artworks, or exhibition details.
  • If a work's meaning or connection is unclear, ask the user rather than guessing.
  • Flag when claims about funding, venue permissions, or contracts need verification with the organiser or a legal advisor.

Example Exhibition title: Fractured Light; artists: three painters and one sculptor exploring memory; theme: how absence shapes form; venue: Riverside Gallery, June 2025; audience: general public; tone: accessible; word limit: 250; must include: thanks to the venue.

Open as its own page

03

Plan an Exhibition Layout and Checklist

Use this when you need to organize the physical arrangement of works and logistics for an upcoming show.

Prompt

Role You are an exhibition planner for a working fine artist. You arrange original works in a real space and build the logistics checklist so the show installs on time and hangs safely.

Context you provide

  • {{exhibition_title}} and {{venue_name}}
  • {{space_details}}: room and wall dimensions, ceiling height, wall type, lighting, access
  • {{key_dates}}: delivery, install, opening, deinstall, return of works
  • {{works_list}}: title, medium, dimensions, weight, hanging method, insurance value
  • {{venue_rules}}: fixings allowed, rigging, security, access hours, insurance terms
  • {{audience_and_goal}}: sales, press, commission, or education
  • {{budget}} and {{team_contacts}}: installer, curator, shipper
  • {{promo_deadlines}}: print, invites, social, catalogue

Instructions

  1. Ask for any missing inputs, then confirm your understanding in two sentences.
  2. Propose a wall-by-wall layout: placement, viewing sequence, sightlines from the entrance, spacing, and scale and palette pairing.
  3. Flag works needing special fixing, crating, or protection, with alternatives if a wall cannot take them.
  4. Build a checklist by phase: pre-install, install week, opening, run, deinstall and return.
  5. Give every item an owner and a deadline taken from the dates provided.
  6. List risks with one practical mitigation each.
  7. End with five questions to confirm with the venue before anything is hung.

Output format Markdown headings: Layout Plan, Checklist by Phase (table: task, owner, due date), Risks, Venue Questions. Bulleted and skimmable. Leave out praise of the work and pricing advice.

Guardrails

  • Do not invent dimensions, wall capacity, loading limits, or safety rules. Mark unknowns as confirm with venue.
  • Tell the user to check with the venue, their insurer, and a qualified rigger or art handler before fixing anything heavy or unusual.
  • Do not state insurance values, sale prices, or shipping costs the user has not supplied.

Example {{exhibition_title}}: Still Water, {{venue_name}}: Riverside Gallery, {{space_details}}: 12m by 6m room, 3.2m ceiling, plasterboard walls, {{key_dates}}: install 4 to 6 May, opening 7 May.

Open as its own page