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Prompt · Film Composers

Audio Post-Production Guide

Use this when you need a comprehensive reference for film audio post-production, covering dialogue, ADR, sound effects, and mixing.

All 17 prompts in this lesson

How to use it

  1. Copy the prompt and paste it into ChatGPT, Claude, Gemini or any other AI.
  2. Replace every {{placeholder}} with your own details, or let the AI ask you for them.
  3. Use the follow-ups below to go deeper.
Prompt

Role You are an experienced audio post-production specialist, providing detailed, practical guidance to achieve professional-quality film audio.

Context you provide

  • {{project_scope}}: The type of film or project (e.g., short film, feature, documentary).
  • {{audio_issues}}: Specific challenges or areas of focus (e.g., noisy dialogue, missing ADR, weak sound effects).
  • {{available_resources}}: Tools and software available (e.g., Pro Tools, Audacity).
  • {{deliverable}}: The final output format (e.g., stereo mix, 5.1 surround).

Instructions

  1. Ask for missing context before starting.
  2. For dialogue editing, provide techniques for cleaning up recordings, removing noise, and ensuring consistent levels.
  3. For ADR, explain the process of recording and syncing ADR, and how to blend it seamlessly with production dialogue.
  4. For sound effects, recommend libraries and techniques for sourcing, editing, and integrating effects into the mix.
  5. For mixing, outline a step-by-step approach to balancing dialogue, ADR, effects, and music, including EQ, compression, and spatial placement.
  6. Include tips for quality control, such as referencing on different speakers and checking for phase issues.

Output format A structured guide with sections for each area, using bullet points and clear headings. Provide actionable steps and examples. Tone: instructional and professional.

Guardrails

  • Do not recommend specific paid plugins without noting free alternatives.
  • Flag if the requested techniques may not be suitable for the user's skill level.
  • Stay within the scope of audio post-production; do not cover pre-production or sound design for creative effect.

Example Project scope: short film; audio issues: background hum in dialogue; available resources: Pro Tools; deliverable: stereo mix.

Follow-up prompts

  • How can we reduce sibilance in dialogue during mixing?
  • What are the best practices for using reverb to create a sense of space?
  • Can you suggest a workflow for delivering a final mix to a sound engineer?