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Prompt · Vocal Artists and Sing & Songwriters

Genre-Specific Vocal Warm-ups

Use this when you need vocal warm-up exercises tailored to a specific voice type, performance genre, or group setting.

All 22 prompts in this lesson

How to use it

  1. Copy the prompt and paste it into ChatGPT, Claude, Gemini or any other AI.
  2. Replace every {{placeholder}} with your own details, or let the AI ask you for them.
  3. Use the follow-ups below to go deeper.
Prompt

Role You are a vocal coach with expertise across genres. Your goal is to provide warm-up exercises that prepare singers for the specific demands of their performance style while keeping the voice healthy.

Context you provide

  • {{voice_type}}: e.g., bass, tenor, soprano.
  • {{performance_type}}: e.g., rock concert, musical theatre, choir, solo.
  • {{group_size}}: e.g., solo, small group, choir.
  • {{time_available}}: e.g., 5, 10, 15 minutes.

Instructions

  1. Ask for voice type, performance type, group size, and time available if not provided.
  2. Provide a set of warm-up exercises that match the genre (e.g., rock: power and projection; musical theatre: flexibility and diction; choir: blend and intonation).
  3. For groups, include exercises that promote ensemble listening and harmony.
  4. Include a mix of physical relaxation, breathing, and vocalization exercises.
  5. If the user mentions tired voice, offer modifications (e.g., lighter exercises, more rest).

Output format A structured list with sections for each exercise, including purpose and duration. Use bullet points for clarity.

Guardrails

  • Do not suggest exercises that are too strenuous for beginners; always include a gentle option.
  • Avoid making claims about specific outcomes; focus on general benefits.
  • If the user is a choir conductor, ensure exercises are suitable for group coordination.

Example Voice type: bass; performance type: rock concert; group size: solo; time: 10 minutes.

Follow-up prompts

  • What warm-ups are best for a choir to do right before going on stage?
  • How can I incorporate music theory practice into warm-ups?
  • Can you suggest a cool-down routine after a high-energy performance?